Elsewhere, she’s added a flirtatious note, with schoolgirl minis, fitted knits, and peekaboo dévoré velvet polka dots. (The dots were a theme; the collection included a variety.) There was still a sense here that Lai remains overfond of the purposefully awkward silhouette—some of her dresses were a touch shapeless—but she’s gotten better at adding the grace notes that give a covered-up look verve. On a simple shirtdress, for instance, the dropped waist counted for a lot; likewise the waterfall effect on a dotted mid-calf skirt. Here’s hoping that Lai doesn’t outgrow her awkwardness entirely—it’s idiomatic to the Creatures of Comfort brand and the reason the most straightforward pieces in this collection still stood out. But it’s nice to see her giving her ugly ducklings permission to be swans.
—Maya Singer View full post on Runway Feed

That vision translated into a tailored wool jacket with leather and velvet accents that was nipped in a bit at the waist, just the thing for pairing with Kerrigan’s leather leggings, this time done in black with a contrasting red sideways stitch. Trousers are a thing for the designer, who has playfully dubbed her label “Pants-R-Us.” New for Fall were a cropped leather boot-cut style and a wide-leg pair with a zipper detail. And for the girl who doesn’t like pants? With this collection’s silk “9 to 9″ (as opposed to 9 to 5) dress, complete with an elastic waistband, Kerrigan’s got her covered, too.
—Jessica Minkoff View full post on Runway Feed